Quintanilla asks that they be recorded talking about their aspirations in life, the career they will study and what they have learned at the National College. These recordings will be intercepted and manipulated to reveal her involvement in the events that took place on the day of Susana’s death. Of course, no matter how hard they try to leave all this behind and focus on their projects, fifteen months later the past returns to the students, who are preparing for their graduation. And, to the glory of the writers, they ended up abandoning her and sealing a pact between them not to reveal what happened (very original). As it was already sown at the end of season 2, the death of the director Susana led the group to meet before her body and make a drastic decision to save her future. The editing is one of its main disadvantages: the cuts are abrupt, the information barely falls apart as it unfolds, and the plot lurches make it easy to get off the story. In truth, out of the eight episodes, only three of them might give you the information you need, the rest is bullshit. However, inexplicably, the new story that they bring us lacks strength and on top of that, it brings filler by the handful. Challenging her to compose a puzzle was what enthralled us most in this series and it was common to hear her thoughts, often satirical of her.
She, played competently by actress Ana Valeria Becerril, was perhaps the one who gave this series a different feeling as she was a lonely and distant girl with the ability to see through people. See also Cobra Kai Season 4 Review: Flies Higher And Higher With A Series Of Bold And Disruptive Narrative Choices
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